Cliff Dr., #1128 | Las Vegas, NV 89541

Cell: 305.873.3594 | Email:  HYPERLINK “”


Bachelor of Fine Arts in Audio Engineering

Miami International University of Art and Design, June 2012


Front of House, Monitor, RF Tech, Production Tech, Systems Tech.


Sound Engineering; Mixing and Synthesis; Advanced MIDI Application; Digital and Analogue Editing; RF Coordinator; Microphone Technique; Control Surface; Video Editing; Script Writing; Real-time Digital Signal Processing; Sound Reinforcement; Analogue Mixing Desk; Pro Tools; Instrument, and Voice & Foley Recordings.


Dedicated to enriching and maintaining the integrity of musical compositions of all genres, optimizing sound quality, capitalizing on equipment capabilities, and making high-impact, behind-the-scenes decisions and contributions. Enthusiastic experienced FOH mixing sound engineer with a passion for technical excellence, an intense commitment to deliver to deadline, and the vision to inject creativity into all my work.  Seek full-time employment with a production company or hotel that holds major events that will broaden my experience, skills and horizon.


MEC 2017 GS Audio; NMR 2017- 1Oak Club; Encore “Watson Audio;” Venetian – Consumer Insight; Wynn Hotel – VTS; Mandalay Bay – Soundskills – Steve Harvey Neighborhood Awards; Mandalay Bay – Abacus; JW Marriott – UPSTAGE; Bellagio – Proctor; Aria – Williamson Signal; “You Will Change The World” – by Peter Adrian; Go Sports – Nevada Jiu Jitsu Competition; California Feet Warmers; Musicality International: Jay Linn Asian Concert; POW POW 2016: Flossterdamus, Flux Pavilion, REHAB, Gents & Jawns & Meaux Green; Blue Tie Ball; Barbershop Harmony Society 2016;  Starbucks; Wild Sheep Show 2016; New Year’s Eve Party: 30 piece Orchestra; Vietnamese Concert; Musicality International: Asian Concert; Run UP: Poker Tournament; Barrel & Bites; Wine & Southern Spirits; CanFestival; Bacon, Bourbon, & Brews; Musicality International: Brotherhood of Men; Hot August Nights: Outside Concert Series ; Governor’s Mansion: Special Guest: Colin Kaepernick; Al Pacino Q & A; Easton Corbin; Concert Billy Currington Concert


Lost Dog Found; California Feet Warmers; Buddy Emmer Band; Cris Williams; Novelists; Holy Ghost Tent; Deke Dickerson; Bourgeois Gypsie; Black Potato; Midnight Riders; Liam Cahill; Hobo Nephews; Betsie Ellis; Pholkahontas; Ms Lonely Hearts; Show Ponies; Jelly Bread; Rusty Maples; Double; Hell Bound Glory; Helena & Bear; Beat Mosaic 2.1; Everett Coast; Kim Lenz; Mustered Courage; Rose’s Pawn 2; Drinking Clowns; Coo-Coo Birds; Kyle Rea; Rock River; Whisky Gentry; Bogg Jazz; Lee Gallagher; Bourbon Street; Chamomile & Whiskey; Leftover Cuties.


PRG Las Vegas – Audio Tech (Shop) Aug., 2016 – Present

As an Audio Tech, you ensure an experience and imagination; our innovative solutions reliably solve the unique production challenges for a broad range of clients including concert touring, corporate events, theatre, film & television, special events and installations. Daily Tasks include maintain, configure for orders, check-in and repair the Company’s equipment resources in the warehouse. Quality control testing of audio equipment to meet quality control standards set by the depot and it is key before it’s sent out back to show.  Re-stock equipment correctly according to standards set forth by the depot. Build RF racks depending on show and/or demand. RF channel rack count from four to 12 channels built into a rack. Workbox built for corporate gigs, or concert touring. Building Clear Com racks, small to large, for corporate or concert touring.

Peppermill Resort Spa &Casino | Reno, NV

A1 AUDIO LEAD, AUDIO ENGINEER (FOH) Apr., 2015 – Apr., 2016

Meet with clients before and after determining venue, create a schematic drawing of venue with: corresponding power loads, amps requirements (per needs of event or client), determine the distance to run feeder cables, and run feeder cables to our PD to the main stage, pinning and building vertec line array, strategic placement of speakers, determine dead spots in areas and optimize sound coverage to those dead areas and placement of subwoofers, run stage power, mics, consoles, and placement of monitors. Supervise staff, ensuring line up and pinning of vertec boxes to the configuration for the stage (event) are met.  Run sound testing, FOH to ensure connectivity of all equipment are running into console, Pink Noise and Smaart7 check performance of speakers and mics, finalize frequency coordination, and complete final sound check with client (rehearsal) and without client (prior to rehearsal).

Hyatt Regency Lake Tahoe | Incline Village, NV


Live event set up of lighting, sound mixing equipment, microphones, video recorders, projectors, etc. Record meetings and presentations with video cameras, operate spotlights, adjust amplifiers, coordinate graphics used in displays and provide technical support for teleconferences, webinars and distance-learning classes. Edit, copy, store videotapes and DVDs, track equipment inventory and order supplies. Build and tear down large screens (9­10ft.) for front/rear projections for conferences, meetings, and/or in house events.

Northstar Studios | Nashville, TN

LOGS SPECIALIST Jul., 2014 – Jan., 2015

As a logs specialist, I directed full HD production network operations multi-platform delivery systems and satellite transmission areas; established and maintained technical layout of the master control and transmission areas. Troubleshoot equipment problems, checked maintenance of equipment, including maintain labels, records, logs, and other studio documentation.

Brantley Sound | Nashville, TN

FREELANCE AUDIO ENGINEER A2 & A3 Jul., 2014 – Oct., 2014

Set up indoor and outdoor staging, including load-in and load-out, regardless of environment and/or surface. Maintain and ensured sound quality and safety of event. Run audio system for all size events, from small weddings to large corporate events, including full scale productions.

Imagina LLC | Miami, FL

MASTER CONTROL ROOM OP Nov., 2012 – Mar., 2014

As master control operator loaded video segments, updated control logs and maintained audio and video transmissions of television programs, performed scheduled equipment troubleshooting, including on-air  monitors and switching equipment in order to reduce loss of television programing (i.e. advertising revenue, etc.). Master Control: over 2000 hours of live sporting events.

Kamazoo Martini Lounge | Miami, FL


Recording, and mixing all channels from a small 12 channel mixer. Making sure all the levels are not peaking, and to make sure no bleed on the channels. Connect microphones, make sure all cables are working and not mistreated, or damaged.

A.I. Studio A | Miami, FL


Recording, editing, and mixing with Pro Tools HD in Studio A. Using a SSL Duality, with pro tools, with four

192 interface. (Videos, Post Production, ADR, Sound Design, Foley)

A.I. Studio B | Miami, FL


Recording, editing, and mixing with Pro Tools HD in Studio B. Using a C24, with pro tools, with a 192  interface. (Videos, Post Production, ADR, Sound Design, Foley).



Amplifiers: Crown I-Tech, d&B 80, LA 4, LA 8;

Clear-Com: MS 232, MS 701, MS 702, MS 704, SB 704;

Wireless Intercom: RTS, Telex BTR 800, Tempest 2400;

Wireless Monitoring: Sennheiser ew 300 IEM G3-A, G3-B, G3-G


dB Audio: J series, & Y series;

Genelec: 1031a, 8010, 8020;

JBL: VRX 932 LAP, VRX 918 SP, VP 7212 MDP, 702;

JBL Line Array: VT 4888 DP-DA, VT 4889, VT4880;

L’Acoustics: 115 Hi-Q, X112, X8, X5 ;

L’ Acoustics Line Array: Arcs, K1, K2, Kara, Kiva;

Subwoofers: K1-SB, KS-28, SB15p, SB15m, SB18, SB28;

Meyer: Calisto 616, UPA, UPJ, UPM, UPQ


Behringer X32 ; Digico SD9 ; Midas 32; Soundcraft VI 1 & VI 6, SI 3; Solid State Logic Consoles (SSL Duality); Yamaha CL1, CL5, LS9; PM5D;  Avalon dynamic processors; Avalon preamps; Universal Audio; TC Electronics signal processors; Avid Audio Interfaces; Avid’s Control Surfaces (C24, Pro Control, Control 24, Command 8).


Compass; Wireless Workbench; System Architect; JBL Performance Manager; JBL Line Array Calculator; Media Matrix;  LA Network ; LA Manager ; Smaart V7; Avid’s Pro Tools HD; Propeller head’s Reason; Apple’s Logic Pro; Softube; and Apple’s Final Cut.

Heavy Machinery

Forklift Certified, Scissors Lift,

Single man genie.


  • Back-Line
  • Mix Live Bands
  • Monitors